Movie Music Week (2): A Band Apart, A Dance Together
Godard through the 60s--what else can you say?
posted by George at 9:20 AM
Monday, July 16, 2007
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- Name: George
George markets only for the forces of good for a living. He has a paid hobby that involves eating, drinking, and writing, things he’d do for free, which is almost what he’s doing it for. In a previous life he taught mostly illiterate and generally ungrateful college students how to write. He has been a body guard for Jodie Foster, a walk-on dancer with French avant garde troupe Maguy Marin, a film programmer, a judge at an Iron Chef style competition, a political activist, a textbook author, a bassist in a band, a two-time league winning fantasy baseball manager, a union local president, a pr flack helping run a red carpet at an Angelina Jolie event, a janitor, a chauffeur to folks from TC Boyle to Andrei Codrescu, a delivery man to Plato's Retreat, a reluctant writer of a non-snarky intro for Colin Powell, a radio DJ, a corn detassler, an escort van driver, a rock journalist, a lab assistant for a company that made everything from mouthwash to super skin lubricant, and even, once, a poet. His biggest brush with fame was when Julie Christie fondled his tie, a tie George Lopez belittled to 1000 people minutes later. The best thing about him is his wife. His dogs aren't bad, either.
Previous Posts
- Movie Music Week (1): I Can't Stand the Quiet
- Pure Pop for Crooning People
- Pure Pop for Missing Aviatrices
- Friday Random Ten
- Here's Seaweed in Your Face
- Where the Heck Was It Thursdays
- Stop, Hey, What's that Sound
- Pure Pop for 90s People Looking 80s
- How Happy I'd Be with Either of You If the Two of ...
- Pure Pop for Pere Ubu-ists
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2 Comments:
Is it too lame that I only have seen this movie by virtue of its Quentin Tarantino association? Specifically, the alleged connection between this dance sequence and that between Uma and Travolta in Pulp Fiction? And I can still only kind of see the resemblance? And why don't people dance like this in bars nowadays?
WV: vzddztci, which looks to be shorthand for some Italian director from whom Tarantino also draws inspiration.
genius, not least for the way the voice over occupies a completely distinct "track" from the sound of the steps, the dancers' hand percussion, and the Memphis soul. The structuralism has too its commentary: the woman is thinking of the way her breasts move inside her sweater? Are you kidding?
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